CORRINE BAILEY RAE 'THE SEA
By Nessa Jennings

When Corinne Bailey
Rae (pictured
at the 2009 Mojo
Awards) released her self-titled
debut album in 2006, the success
of that album was instant
and immense, both in the UK
and America, where she ʻgatecrashed
ʼ the Billboard charts.

It had been decades since a British
artist had achieved immediate
recognition in the States. Awards
followed, and accolades from her
soul peers. She is in good company,
with singers like Stevie Wonder,
Erykah Badu and Jill Scott.

The album grabbed me personally,
maybe because it was ʻlightʼ
and catchy. In reality, it kept me
going for over a year. Absolutely
great listening. Tunes like: ʻIt
Could Happen to Youʼ; ʻPut your
Records Onʼ; ʻLike A Starʼ and
ʻCall Me When You Get Thisʼ.
The music was joyful. Rae took
a nostalgic glimpse back to her
early years growing up amongst
summer parties and heat waves in
one song of desire, ʻhoping that
the boys will call for meʼ, capturing
the good feelings of youth and
excitement.

Itʼs the type of music thatʼs always
giving thanks. The album
has had sales of four million copies
to date.

She became a favourite on
the Jools Holland show, exuding
charm and sparkle when she
took the stage with her guitar and
band. And, at the risk of sounding
shallow, which she is not, she has
incredible dress sense.

Unfortunately, in the middle of
a burgeoning career, Corrinne had
a great tragedy when her husband,
Scottish-born Jason Rae, 31, was
found dead from an accidental
methadone overdose in Leeds on
22nd March, 2008.

Leeds-born Bailey Rae, 30, met
her husband when she worked as
a cloakroom attendant in a Leeds
jazz club while a student in the
city. The pair married in 2001,
and Jason, a jazz saxophonist,
brought her on, encouraging her
to make the first album.
She says she took a year off
to try and recover from her loss
during which she did absolutely
nothing.

And now, out of this grieving
process, has emerged her latest
album ʻThe Seaʼ. Although some
of the songs were written before
Jasonʼs death, Rae has used music
as a tool for healing when recording
the album, saying “There is
something miraculous that pushes
you along, makes you keep going,
makes you carry on. Itʼs really
about the mystery of that. In fact,
the whole album is about that in
a way; itʼs about loss but itʼs also
about hope, about keeping going
and trying to find that beauty.”

Of ʻIʼd Do It All Againʼ, the
first single; Rae said “Itʼs a love
song, but a difficult love song– itʼs
about when things are really difficult,
to the point where theyʼre
actually hurting your pride. I
wrote it after this big argument
we had. Itʼs just a demonstration
of my commitment.”

The song title “I would like to
call it… beauty” comes from a
late-night conversation she had
with Jasonʼs younger brother
comparing their views of the
world. ʻThe Seaʼ is about a family
tragedy: Bailey Raeʼs maternal
grandfather died in a boating accident.

Another ʻtotalʼ album, more
mature, very emotional, which
washes the room with beauty and
elegance, she says of it, “ʻThe
Seaʼ covers the waterfront of human
emotion. Yes, the worst kind
of heartbreak is in there. But so
are the best kinds of love.”
And this album is without a
doubt one of the most honest
works of recent years, and one of
the most beautiful too.

MASSIVE ATTACK ʻHELIGOLANDʼ

Nobody can accuse Massive
Attack of rushing things. A
full seven years after the Bristol
Bandʼs last studio album hit
the shops, ʻHeligolandʼ has finally
been released.

In some ways it is a miracle
that the album has been made
at all. By the time their last
album, ʻ100th Windowʼ was
released the band which, at its
outset was a sprawling collective
of nearly twenty, had been
whittled down to just one,
Robert Del Naja.

Impetus for fresh work arrived
with the return of another
of the bandʼs core creative
members, Grant ʻDaddy
Gʼ Marshall. He brings back
aspects of Massive Attackʼs
original sound that were missing
from the more mechanistic
sound of ʻ100th Windowʼ.

Think of the subtle funk and
slippery breakbeats of their
90s heyday and you will have
an idea of what Marshall has
brought back to the mix.

Heligoland, cold, remote,
but somehow mysterious and
romantic like any unknown
land; the title fits the austere
beauty of the music perfectly.

While there is nothing on this
album that would sound outof-
place on older works, the
music is fresh and compelling
nonetheless.

As ever, collaborations with
guest vocalists are a feature of
the work. Guy Garvey, from
Mercury Prize winners Elbow,
adds his world-weary tones
to the gloriously doom laden
ʻFlat of the Bladeʼ.

Elsewhere, Damon Albarn
reminds us why we loved him
so much with the gentle ʻSaturday
Come Slowʼ. All in all,
a very welcome return to form
from this most original of
bands.

ONES TO LISTEN OUT FOR…
Sixteen Layers
Sandymount-based Rockers
Sixteen Layers, pictured below,
are embarking on a tour
of Canada, where their popularity
is growing, later on this
Spring.

They are holding a fundraiser
for the tour on the 27th of February
at The Sugar Club. Tickets
cost €10. So go on down
and support your local talent.
You can check out their
sound on their myspace page
here: http://www.myspace.com/sixteenlayers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


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