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Hal’.
Hal Gorgeous hooks and harmonies abound and you can almost hear the sunshine in singer Dave O’Brien’s voice. If you are looking for reference points, the West coast of America in the late sixties and the Beach Boys might help you, but really, that’s just a starting point. There’s enough songwriting craft in evidence here, to suggest Hal can enter the big time. Definitely, one of the finest Irish debuts albums in recent times. ‘Takk’.
Sigur Ros Considering their last album was sung in a makey up language called Hopelandic, had no song titles and no credits whatsoever, this is Sigur Ross’s most accessible album to date. Over 65 minutes long, ‘Takk’ is an epic in every in every sense of the word. Tracks often begin with a simple riff or refrain before slowly building into an extraordinary cacophony of choirboy vocals, stirring strings, intense percussion and distorted guitar. There’s no doubt that the landscape of Iceland has helped shape the music of Sigur Ros because a strange beauty resides within the confines and contours of ‘Takk’. ‘Guero’.
Beck Closer to the spirit of Midnight Vultures and Odelay, ‘Guero’ finds Beck mix and matching music genres and rapping away like a spontaneous street preacher. Re-united with his old sparring partners, the Dust Brothers, who co-wrote all the music on ‘Guero’– Beck has produced his most satisfying and joyous album in years. The opening track and single E-Pro sets the pace. There’s enough hooks, licks, samples and surprises thereafter to keep Beck devotes happy for many a day. ‘The
Secret Migration’. Mercury Rev Jonathan Donahue possesses a singular unique voice, high pitched, almost ethereal in tone. He uses it to great effect to articulate on the greatest love of his life: nature. Couched in the language of lovers, almost every song is an ode to the subtleties and serenity of the natural environment. Following on from 2001’s ‘All is Dream’, Mercury Rev are producing some of the best music to come out of America at the moment. TSM will hopefully win them an army of new admirers. ‘I
am a bird now’. Antony and the Johnsons Over the sparest
backing track, sometimes just a piano accompaniment, a large white man
sings songs of love, loss, friendship and redemption. He draws you immediately
with the eloquence of his delivery and power of his voice. Other times, the voice is soft, feminine, almost soprano. Stick this album on late at night, pour yourself a drink and listen to the drama unfold. Never has melancholia sounded so magnificent. ‘Funeral’.
Arcade Fire I don’t know if genius and grief are intertwined, but this is one album that quickly burns right through to your brain. An ensemble effort by the six members of Arcade Fire plus nine other musicians, this is raw, heartfelt emotion backed by a taut, beautifully controlled sound. Never will the words ‘funeral’ and ‘dirge’ go together again.
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